1.3 PICTURE PERFECT: IMAGES

 0    24 schede    josehbaltazar
Scarica mp3 Stampa Gioca Testa il tuo livello
 
Domanda English Risposta English
image
inizia ad imparare
a picture that you have in your mind; a picture that you see through a camera, on a television or computer screen, in a mirror etc; a picture of a person or thing that is drawn, painted etc on a surface
What does Bailey feel is important when taking a photo portrait?
inizia ad imparare
Baileys feels it is important to get a reaction from the person to see their true personality. He thinks you should see things as they are, not how you think they should be.
captures the beauty
Photography is actually the art of capturing the beauty of life, the act of appreciating ‘the moment,’ and used as a personal database in one quick snapshot.
inizia ad imparare
shows you how beautiful something is
evocative
making you remember or imagine something
inizia ad imparare
reminds you of, makes you think about
evoking or tending to evoke an especially emotional response
iconic
very famous or popular, especially being considered to represent particular opinions or a particular time
inizia ad imparare
important and recognisable, well-known and memorable
revealing
telling people information that they did not know before, especially about a person’s character or feelings
inizia ad imparare
telling us something about
revealing clothes show parts of your body that are usually kept covered
striking
unusual and noticeable
inizia ad imparare
strong and easily noticed
very attractive
provocative
intended to make someone angry or upset, or to cause a lot of discussion
inizia ad imparare
creates a reaction, exciting to look at (maybe also sexually exciting)
intended to make someone sexually excited
wind them up
inizia ad imparare
to be in an unpleasant situation or place after a lot has happened
to wind up in jail/at sb’s house etc. (informal) acabar na cadeia/na casa de alguém
judgemental
inizia ad imparare
disapproving criticizing people unfairly
Techniques for analysing
inizia ad imparare
a visual text
angle
inizia ad imparare
see framing
body language and gaze
to look at someone or something for a long time
inizia ad imparare
facial expressions, gestures, stance or position - can convey the attitude, feelings or personality of the individual shown.
Take note of the direction of the subject's eyes.
Composition
inizia ad imparare
what is included is deliberately placed (also applies to what is omitted)
Consider all inclusions and omissions e.g. surroundings, objects, clothing, etc.
Colour, Hue and Tone
a colour
inizia ad imparare
In black&white images examine the use of contrast, light and darkness. In colour images, colours are used to signify feelings and evoke a response.
E.G. Red - passion, anger, hell, vitality, etc; Blue - peace, harmony or coldness.
Contrast
inizia ad imparare
the arrangement of opposite elements (light and dark, large and small, rough and smooth) to create interest, excitement or drama.
Framing
inizia ad imparare
The same camera shots and angles relevant to film. Close ups, extreme close ups, medium shots, long shots, tilted up or down shots etc.
Omissions
inizia ad imparare
What has been deliberately left out.
Orientation, point of view
inizia ad imparare
Relates to framing and angle, is the responder positionaed above the image (looking down), below or at eye level?
Positioning
inizia ad imparare
Consider which objects have been placed in the foreground, middle ground or background.
Rule of thirds
inizia ad imparare
Divide an image into thirds from the top and sides and look at the placement of people and/or objects.
An object in the top third is usually empowered whereas anything in the bottom third is disempowered.
Salience
inizia ad imparare
The part that your eyes are first drawn to in the visual. Colour image and layout determine what the salient image is.
Symbolism
inizia ad imparare
The use of an image to represent one or more (often complex) ideas.
Vectors
inizia ad imparare
The line that our eyes take when looking at a visual. Composers deliberately direct our reading path through the vectors.
E.g. if all of the subject are tall, long and upright our eyes follow straight vector that lead to the top of the frame. This could make the subject seem powerful or inflexible.

Devi essere accedere per pubblicare un commento.